William Halsey

American (1915-1999)

William Halsey
William Halsey

The Halsey Institute of Contemporary Art at the College of Charleston was named in honor of William Halsey, the preeminent and influential Charleston native whose modernist paintings were exhibited at the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago, and the Metropolitan Museum of Art, to note a few. Ann Long Fine Art was proud to be chosen to represent modernist paintings from his estate.

William Halsey
William Halsey

William Halsey broke away from the conventions of most local painters to become a pioneer of modern art in the South. As a boy growing up during the heyday of the Charleston’s early twentieth century artistic renaissance, Halsey’s first art lessons were with one of that movement’s leaders, Elizabeth O’Neill Verner.  Following two years at the University of South Carolina, Halsey pursued further artistic training at the school of the Museum of Fine Arts, Boston. There, he studied traditional line drawing with Alexander Iacovleff and color theory with Karl Zerbe. In 1939, Halsey was awarded the institution’s highest honor, the James William Paige Fellowship, for study abroad. Originally scheduled to travel to Europe with his new wife, fellow artist Corrie McCallum, the onset of World War II necessitated a change of plans. The couple set sail for Mexico instead, an experience that ignited a lifelong passion for travel. In Mexico City, Halsey absorbed the culture, color, and texture of the country.

Halsey returned to the American South in 1941 and settled permanently in Charleston in 1945, convinced he “could be vastly more useful in [his] native state than any place else.” He touched countless students as a teacher at the Gibbes Art Gallery, the Charleston School of Art, and as the founder of the Studio Art Department at the College of Charleston. During his more than forty years as an influential educator and mentor, he was also represented by the Bertha Schaefer Gallery in New York City and exhibited his increasingly Abstract Expressionist paintings, collages, and sculpture throughout the country. Although Halsey departed from “the prevailing influence of the Old Charleston picturesque,” he credited his hometown as a source of inspiration: the decaying stucco buildings literally showed up in his work. He painted “furiously” on canvases built up with gesso, sand, marble dust, found objects, and fabric. Though he prized color above all else, he also appreciated the physical act of painting and often laid a picture flat on the ground in order to free his movements.

During his lifetime, Halsey’s works were included in exhibitions at such noted institutions as the Art Institute of Chicago, Pennsylvania Academy of the Fine Arts, Metropolitan Museum of Art, Whitney Museum of American Art, Museum of Modern Art, and National Academy of Design. He is represented in the permanent collections of numerous museums, including the High Museum of Art, Museum of Fine Arts, Boston, Gibbes Museum of Art, and Greenville County Museum of Art. (courtesy of The Johnson Collection)

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Work


Fire Dance II
William Halsey

Fire Dance II

acrylic and oil-pastel on paper
23.75” x 18”

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In and Out
William Halsey

In and Out

oil, oil-pastel, and paintstik on paper
19.5” x 15"

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Childs Head II
William Halsey

Childs Head II

oil-pastel and paintstik on paper
13.75” x 11"

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In the Red
William Halsey

In the Red

oil-pastel and paintstik on paper
13.75” x 11"

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Night Vision #2
William Halsey

Night Vision #2

oil-pastel on paper
13.75” x 11"

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Mosaic
William Halsey

Mosaic

oil and oilstick on paper
24” x 18"

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Moroccan Fragment I
William Halsey

Moroccan Fragment I

oil and acrylic on paper
23.75” x 18”

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Casbah
William Halsey

Casbah

textile collage and oil on paper
23.75” x 18"

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Blue Inscriptions
William Halsey

Blue Inscriptions

mixed media on paper
23.75” x 18”

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